A theater of the rear, in the rear, and at the rear; a theater with neither a front, nor a façade, nor a surface; a theater of the behind (the appearances), and, most important yet, of the underneath. Showing rather what is felt by the individual, above all consciously, but also unconsciously. Never as it surfaces onto the “personage”; not the “put on”, then, but the real unhidden oneself. Therefore what is shown are his phantasms; his hopes, his dreams, his projections... All pawns of his phantasmagoria, all become somewhat ophthalmic (and therefore projectively visible) individuals.
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